Murder at the Registry is tagged as: deathrock, gothic rock, post-punk, goth, goth rock
Hooking up with Mart in 1991, Tom found his creative counterpart to form the band’s nucleus as it still exists today. Numerous tape releases brought some attention within the fanzine-scene in Germany and France.|An even wider response was ignited by the release of the song “Pump” on Mick Mercer’s compilation “Hex Files-The Goth Bible” Vol.1.|This was 1997, when the second guitarplayer left the band, but with Mel on synths, it got even more interresting from now on: when supporting bands like Two Witches or Christian Death, the band proved that they were able to convince a wider audience without being well-known.
After a short “reconstruction”-pause at the end of ‘98 they are complete again with Boris on drums, to prove their “live-ability” revisited:|In February ‘99, supporting This Burning Effigy in Herford’s SPUNK (Europe’s most famous gothic club) a stunned audience was filled with enthusiasm… |...
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