Growing up with Tron, Hackers and the explosion in computing – both were destined to use the technology that surrounded them to create the stunning musical soundscapes. Through the creative use of software applications fused with various pieces of hardware they have been able to streamline the musical process into a sublime and emotional play for the listener to enjoy. The greatest challenges have been in the preparation stages. Two years alone were spent on sampling and creating original sounds to use for the forthcoming albums and live sets. The initial release ‘1998’ was an epic trance monster that took Binary Finary worldwide within a year and became an all time classic overnight. The track charted in many countries as the Djs kept pumping the music out worldwide – Judge Jules amoung others used the tune to keep the crowds happy. Paul Van Dyk wanted the European clubbers to experience ‘1998’ and remixed a successful version that took Binary Finary to the top of the German Dance charts. Kay-Cee also made an excellent chilled house mix that was eventually to become the soundtrack to the Binary Finary Video and enter into history as the first piece of English instrumental electronic music that had charted in the primarily vocal based music scene. The track was picked up by Kevin Robinson while he was A&R at Positiva (EMI) who unleashed this sonic assault on the senses to the masses of clubbers who had known the tune not knowing the people responsible for this monster. They took a great record and brought it out from the underground into the light for everyone to enjoy. The final summer before the millennia saw some of the greatest parties and festivals this planet may have ever known, and Binary Finary has made sure that it was in every tasteful Djs bag. The story continues to the present day when all the music being created is crafted around the listener – to give the experience that will affect peoples deepest being and hopefully inspire them to reach for their dreams. Binary Finary has passion for sonic soundscapes, rhythmic funk and feeling at the ever increasing border of musical expression, creating more musical universes for our children’s children to play within. Binary Finary is run on the principal of a meritocracy – where each individual puts what they can in, and gets rewarded for their effort. |
|
 | ||||||||||||||||
