The quintet came together out of a shared affection for the psychedelic cult band the United States Of America, a primary influence on their subsequent work as a group. Debuting in 1996 with the Wurlitzer Jukebox label single “Accidentals,” Broadcast immediately won favorable comparisons to Stereolab for their sample-heavy, analog, synth-driven sound; the comparisons continued when they signed to Stereolab’s Duophonic Super 45s imprint for their next effort, “Living Room.” After the icily atmospheric Book Lovers EP, the group moved to Warp Records to release 1997’s Work and Non-Work, a compilation of their existing singles tracks. The much-anticipated full-length The Noise Made by People finally appeared in early 2000 and the Extended Play Two EP was issued that fall. Ever the studio perfectionists, fans had to wait until 2003 to hear any new material from the band, when the Pendulum EP arrived that spring and Haha Sound appeared that summer. In fall 2005, Broadcast — pared down to the duo of Keenan and Cargill — issued the America’s Boy single and Tender Buttons full-length. 2006’s Future Crayon collected the group’s numerous rare tracks and B-sides. The band resurfaced in fall 2009 with Broadcast and The Focus Group Investigate the Witch Cults of the Radio Age, a collaboration with The Focus Group’s Julian House that took their sound in a spookier direction more overtly influenced by their interest in library music. In support of the album, Broadcast toured with Atlas Sound and issued a tour-only EP, Mother Is the Milky Way. The group’s next proper full-length album was expected in 2010. |
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