| House Boat Songs |
| I Watched the Biggest Loser Australia |
| My Life Hurts |
| A Song In Which i Convince Myself to Stop Being Such a Fucking Idiot |
| I Work On the 13th Floor |
| Quivering |
| Who Let the Dogs Out? |
| Are You Into Metal? |
| Alonelylonelylone |
| Now We Are 31 |
| ...and On and On |
| 30 Going On 13 |
| My Guts Have Shit for Brains |
| All of the Time |
| I Live Directly Across the Street from the Outback Steakhouse |
| Anticipation Preservation |
| Pityscapes |
| Terminally Unique |
| I'd Be Better Off On |
| A Song for Halfpint to Suck My Balls to |
| Barkmarket Fuckacy |
| Wait, What? |
| Dumbmarket Travesty |
| Bug Out |
| DC Showcase Presents: Inferiority Complex, Volume 420 |
| Payment Plan |
| Kids of the Black Hole Sun |
| Tired Pleas |
| Real Life As a Metaphor for Real Life |
| The Self-Aware Octopus |
| Throwing in Those Weird Chords Did Wonders for the Copyrights and Dopamines (Theme… |
| Every Day |
| Battlestar Gallactica vs. Pop Punk Message Board pt. 6: Grivet Loves Goats |
| Love Song for the Reclusive |
| Throwing in Those Weird Chords Did Wonders for the Copyrights and Dopamines - Theme… |
| Battlestar Gallactica Vs. Pop Punk Message Board VI - Grivet Loves Goats |
| Real Life is a Metaphor for Real Life |
| 21st Century Breakroom |
| Battlestar Gallactica Vs. the Pop Punk Message Board VI (Grivet Loves Goats) |
| Suburban Grit |
| Throwing In Those Weird Chords Did Wonders For The Copyrights and The Dopamines… |
| Who Let The Dogs Out |
| A Song In Which I Try To Convince Myself To Stop Being Such A Fucking Idiot |
| Battlestar Gallactica Vs. Pop Punk Message Board VI (Grivet Loves Goats) |
| Battlestar Galactica vs. The Pop Punk Message Board Part VI: Grivet Loves Goats |
| A Song For Halfpint To Suck On My Balls To |
| Battlestar Galactica Vs. The Pop Punk Message Board Part VI (Grivet Loves Goats) |
| Never Tear Us Apart |
| DC Showcase Presents: Inferiority Complex, Vol. 420 |
| Throwing In Those Weird Chords Did Wonders For The Copyrights And Dopamines |
| DC Showcare Presents: Inferiority Complex, Volume 420 |
