Joakim Bouazziz has always been involved in music. He learned piano at age six, with master concertist Abdel Rahman El Bacha. During his teenage years he discovers indie rock and appreciates labels such as Warp and Mo Wax. He discovered a passion for electronic sound after a school-friend left a synthesiser in Joakim’s room. The electronic nature of the synth opened up a new realm of possibilities for musical creativity, and after a few months of prolific creation and sending demos to Gilb’R, the label manager decided to produce his album on Future Talk [a more experimental divison of Versatile]. What followed was a brilliant and amusing album with many references to 60s modal jazz, through which Joakim displayed his ability to manipulate electronic composition in an new and original way. Tigersushi was soon spotted and Joakim, who used then the moniker ‘Joakim Lone Octet’ stood as an intriging loner in the electronic music landscape. One year later, musicians such as 4Hero, Next Evidence and DJ Medhi revisited his first album in the ‘Tigersushi Remixed’ album. In 2001 he founded his own label under the suprising name Tigersushi and produced projects by K.I.M., Panico, Principles of Geometry, Volga Select, Max Berlin and the infamous compilation ‘More God Dam Music’ (MGDM) |
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