The album was viewed by many PJ Harvey fans as a minor side project – perhaps due to the top billing accorded the more obscure Parish and her own accreditation as Polly Jean Harvey rather than the more widely-recognised PJ Harvey name – and consequently it sold more poorly than any of her solo releases, entering the UK charts at #46 and barely denting the U.S. Billboard charts at #178. It yielded only one single, “That Was My Veil”, which spent a week at #75 in the UK charts. Harvey later admitted that she let Parish handle all promotional duties for the record because she was exhausted following a year of intense promotional activity for her own To Bring You My Love album in 1995. Reportedly, bosses at Harvey’s Island Records label feared the avant-garde venture was “commercial suicide”, despite it winning generally positive reviews: Entertainment Weekly opined, “This is ‘deep’ music in every sense; total immersion is recommended”, Musician reckoned “The results are as engaging as they are disturbing…full of strange moves and unusual textures”, Logo felt it was “thrillingly sinister”, while Q magazine praised its “polecat scat and brooding rural blues”, adding that it felt “more a series of themes and word paintings.” Speaking about the album to NME in 1998, Harvey explained “I just really wanted to learn different things, and a lot of learning comes from working with other people. I tend to place more importance on lyric writing than music, and I wanted to somehow bring the music to a similar level with that, but I didn’t feel confident in myself as a musician to do it. I know John can write demanding and intellectual music, much more than mine, which is very simple. So it was really just to test my lyric writing.” In 2001 she told Chicago Sun-Times, “People don’t even count that, yet that’s the record I’m really proud of. It was an enormous turning point. Lyrically, it moved me into areas I’d never been to before. Faced with John’s music, which is so different to my own, it just made me write lyrics in a very different way and structure songs in a different way.” Parish and Harvey did a brief UK club tour with the Mark Bruce Dance Company in early 1997, performing the album’s experimental songs with a group of interpretive ballet dancers onstage. “A Woman A Man Walked By” is an album by PJ Harvey and John Parish, scheduled for a March 30, 2009 release on Island Records. It is the second collaboration between Harvey and Parish, following 1996’s Dance Hall at Louse Point.The album was recorded in Bristol and Dorset, and mixed by Flood. This album is made up of ten new songs and an instrumental. All the music is written by Parish, who also plays most of the instruments and lyrics are by Harvey. The first single from the album is “Black Hearted Love” which is described as having ‘anthemic grunge-pop guitars.’ The track debuted on the Zane Lowe Show on 2 March. The album has been described by journalist John Harris, as “…mischievous, deadly serious, elegant and poetic, and possessed of a brutal power – it is doubtful that you will hear a record as brimming with creative brio and musical invention this year… In a track by track synopsis on their website, The Fly described the album as “a body of folk tales, funeral songs and trapped, tangled love songs… brilliant. |
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