The duo have been keeping the North of England’s clubbers moving for over a decade with their close involvement with the legendary Shindig club night, the Newcastle based team also spin the world over and produce tracks and remixes for a multitude of labels. Including Scott’s Forensic label which was founded in 1997 and has been going from strength to strength since the first Lexicon release, ‘Hear I Am’, and with releases and remixes on Satoshi Tomiie’s SAW Recordings, Hooj, Renaissance, Yoshitoshi and Credence, Lexicon Avenue’s reputation as the one of the hottest production teams on the block is assured. Lexicon Avenue have been around in some way, shape and form for the last 10 years, and as individuals, boast a huge CV of production and DJ credits. Scott Bradford, founded the legendary Shindig night that has played host to a Who’s Who of International DJ talent. Associated with such a clubbing institution, Lexicon Avenue have landed DJ gigs abroad in Japan, South America, Portugal, Lithuania, Romania, Croatia, Australia, Singapore, Korea, Jakarta, Dubai, India, Israel, Norway, Ibiza as well as Stateside trips to San Francisco, LA, Miami and New York. Aside from Lexicon, Scott Bradford & Chris Scott partner each other on the New Phunk Theory, Little Green Men and Third Movement projects as well as recording with Satoshi Tomiie as Fishead. whilst Chris also, fronts the hugely popular Echomen & Mooncat projects with Anton Fielding, and have released some killer EPs on the Hooj and The End labels. Scott has also teamed up with Choo Choo records head honcho Barry Gilbey to record using the alias Bush People and fellow shindig resident Mark Lowry as Damaged People and S-Low, all released on Forensic Records. As well as the busy recording and DJing schedule Scott also finds time to record monthly radio mixes which are broadcast across the globe in countries such as Argentina, Lithuania, Bulgaria, Russia, Spain Italy and has his own monthly Proton Radio show “Forensic sessions” starting September 2008. If these aren’t two of the hardest working gentlemen in dance music, then we don’t know who are! |
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