He began experimenting with sound and four-track recording at the age of 11, eventually building an arsenal of instruments that included junk-shop organs and a home-built theremin. At the age of 14 he joined the pop-art collective Minty, a venture that caught the eyes and ears of Fat Cat Records, which went on to supply the youth with a computer and mixing tools for aid in his newfound audio experimentation. He left home at the age of 16 and formed Maison Crimineaux with his friend Fanny, which eventually found its way to France where the noisy duo played a show attended by electronic maestro Kristian Robinson (aka Capitol K), who went on to release Wolf’s lauded 2003 debut. With Lycanthropy reaching number 39 in the NME’s top LPs of the year, as well as receiving critical acclaim throughout Europe and America, Wolf decided to study composition at the Trinity College Music Conservatoire. The results of that endeavor can be heard on his 2005 release Wind in the Wires, a dark collection of moody British folk and chamber pop with a chilly laptop sheen. Wolf released his third album, and the first on a major label, The Magic Position, in February 2007. He has been busy promoting it with a successful concert tour in North America, Europe, Japan and Australia. |
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