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Walter Gieseking
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Walter Gieseking biography
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Walter Wilhelm Gieseking (November 5, 1895 – October 26, 1956) was a French-German pianist and composer.
Walter Gieseking is said to have been a natural and intuitive pianist. According to legend, he never practised except in his own mind. He apparently would study the score, imagine playing it, and then perform it flawlessly. His habit of spending hours in total silence as he pored over scores is said to have frustrated his wife greatly.
Born in Lyon in France, Gieseking was largely self-taught as a pianist until he studied at the conservatorium in Hanover. He remained in Germany during World War II, and also performed sometimes in Nazi-occupied France; these things led to accusations of collaboration with the Nazi Party. A number of his concerts, particularly in the United States, had to be cancelled because of protests against him. Eventually he was cleared of any wrongdoing by an Allied court. He died in London during a recording of Beethoven’s Piano Sonata No 15 for HMV. He had completed the first three movements and, the following day, was due to record the fourth. He died during the night. HMV released the unfinished recording.
Gieseking had a very wide repertoire, ranging from the core works by Ludwig van Beethoven through to more modern works by the likes of Ferruccio Busoni, Paul Hindemith, Arnold Schoenberg, and the lesser-known Italian Goffredo Petrassi. He gave the premiere of the Piano Concerto by Hans Pfitzner in 1923. Today, though, he is primarily remembered as one of the great interpreters of Mozart, Frédéric Chopin, Claude Debussy, and Maurice Ravel. He recorded the complete piano works of Debussy. His recordings of Debussy’s Préludes, done in 1953 and 1955, have been re-released by EMI Classics in their “Great Recordings of the Century” collection. Many of his later recordings were made in both monaural and stereo. Music and Arts has released Gieseking’s historic 1944 stereo recording of Beethoven’s “Emperor” piano concerto. Although some of his recordings - particularly the live ones - are erratic and riddled with wrong notes, when Gieseking was in form he exhibited a superb technical equipment.
Gieseking was also an amateur lepidopterist.
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