Clive “Tenor Saw” Bright was raised in the Payne Avenue district of West Kingston. His first single, “Roll Call” was recorded in 1984 for George Phang’s Powerhouse label, on the “Queen Majesty” rhythm. He moved on, with his friend Nitty Gritty, to work with Sugar Minott’s Youth Promotion sound system and label, having hits in Jamaica with “Lots of Sign”, “Pumpkin Belly”, “Run Come Call Me”, and “Fever”. His most successful single, however, was “Ring the Alarm”, voiced over the “Stalag” rhythm for Winston Riley’s Techniques label. The singles’ success saw Tenor Saw work with Prince Jammy, recording “Pumpkin Belly” on Jammy’s (then) new “Sleng Teng” rhythm. Further hits followed in 1986 with “Golden Hen” (on the Uptempo label), and Minott issued Tenor Saw’s debut album, Fever, that year. In common with most dancehall albums of the period, most of the rhythms were digital copies of older tunes from the 1960s and 1970s, usually produced originally by Coxsone Dodd or Duke Reid. Thus, “Shirley Jones” versions Keith “Slim” Smith’s “Rougher Yet”, and “Eeni Meeni Mini Mo” versions “Real Rock” from Studio One, while “Roll Call” versions The Techniques’ “Queen Majesty” from Duke Reid, while “Lots of Sign” versions “Tonight” by Keith & Tex, produced by Derrick Harriott.
By the time the album was released, Tenor Saw had relocated to Miami, joining the Skengdon crew, where he recorded “Dancehall Feeling” and “Bad Boys”. He recorded “No Work On a Sunday” for Donovan Germain, before moving to New York, where he recorded with Freddie McGregor (“Victory Train”). His last recording, “Chill Out Chill Out”, was a duet with General Doggie.
In August 1988 he was killed by a speeding car in Houston, Texas. He died at 22 years of age. Tenor Saw is regarded as one of the most influential singers of the early digital reggae era of the mid-1980s.[1]| |
